Terminal Design Inc.

fonts. My professional career began as a public school industrial arts teacher, trying to keep my young students from crushing their hands in the platen presses. Having to teach wood shop was the last straw and I quit and went to graduate school. After receiving an M.Ed in Technology Education, I studied lettering with Ed Benguiat, began drawing type and working in the wild world of New York City type shops and magazine art departments. My career continued as a magazine art director, moving on to become a design director responsible for 20 trade magazines whose subject matter no one should be required to remember. I was talked into designing pharmaceutical packaging, but that only made me ill. When my nausea subsided, I started Terminal Design, Inc. and I haven’t been sick since. Since 1995 I have been working on the Clearview type system for text, display, roadway and interior guide signage. In 2004 the 13 font ClearviewHwy family was granted interim approval by the Federal Highway Administration (FHWA) for use on federal roadways. It has now been over 10 years and when it gets granted permanent approval is anyone’s guess. And judging by recent event that will never happen. My work has been featured in The New York Times, Print, Creative Review, ID, Wired, and is in the permanent collection of the Smithsonian Cooper-Hewitt National Design Museum. I’m a past president of the Type Directors Club (TDC), and have taught typography at Pratt Institute and type design at School of Visual Arts (SVA) and at Parsons School of Design in New York City.