Edna Golandsky

Wishful thinking doesn't go very far.

You've been practicing the same leap for weeks and it's still not working. Edna Golandsky explains why wishful thinking won't fix it, and what actually will.

Edna explores passages from the Bach/Busoni Chaconne and Chopin Scherzo Op. 20 No. 1 for this week's video installment on Inside Edna's Studio. Members get access to the full lesson plus a fi*****ng handout to follow along!

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Edna Golandsky shares a game-changing insight to securely landing leaps.

Hearing terms like "walking hand and arm" and "lateral adjustment" for the first time? These are core concepts of the Taubman Approach, and visiting EdnaGolandsky.com is the perfect place to start.

Members of Inside Edna's Studio get access to this full video, fi*****ng handouts, and an entire library of videos. Join now!

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Rachmaninoff wrote it this way but does it have to be played that way?

Edna Golandsky demonstrates how redistributing notes between the hands eliminates uncomfortable crossings in the Études-Tableaux Op. 33 No. 8 while keeping the line going with the help of sound production, shaping, and pedaling.

The full video also covers Chopin Op. 10 No. 3, and Inside Edna's Studio members get a fi*****ng handout for both pieces.

Not a member yet? Join now at ednagolandsky.com!

Practicing something uncomfortable over and over won't make it easier. It'll make it worse.

In this clip from the latest Inside Edna's Studio installment on Chopin Op. 10 No. 2, Edna Golandsky explains why repetition alone is NOT the answer when something hurts at the piano.

Inside Edna's Studio members get the full video plus a fi*****ng handout.
Learn more at www.ednagolandsky.com.

Even very talented pianists suddenly get into trouble. Why?

Dorothy Taubman spent her career trying to answer that question, and it changes everything about how you approach playing the piano. This week, Edna Golandsky does a deep study into Chopin Étude Op. 10 No. 1, a piece that routinely injures many talented pianists. In the full video, Edna demonstrates how to eliminate stretching and twisting motions which are at the root of causing tension and pain.

Inside Edna's Studio members get the full video + a fi*****ng handout.

Not yet a member? Head to ednagolandsky.com!

Correct fi*****ng for octaves!

Edna Golandsky demonstrates why a common fi*****ng choice for legato octaves causes stretching and twisting, and why often it doesn't even achieve the legato sound you're after.

From Inside Edna's Studio featuring weekly in-depth videos on piano technique and the Taubman Approach.

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Struggling at the piano and assuming everyone else is fine? They're not.

Edna speaks the truth that so many pianists need to hear.

👉 Watch this week's full segment on Inside Edna's Studio at ednagolandsky.com

"The notes are holy. The fi*****ngs are not." 🎹

If a fi*****ng doesn't feel comfortable, that's not something to push through and practice more.

In this installment on Inside Edna's Studio, Edna shows exactly what poorly chosen fi*****ngs can do to the hand, and how simple, thoughtful adjustments can make even the most challenging passages feel natural and free.

Go to Inside Edna's Studio 🔗 EdnaGolandsky.com to watch the full segment plus access to the handout with fi*****ngs for passages in Beethoven's Moonlight Sonata and Schumann's Kinderszenen.

You Don't Always Have to Physically Play Legato to Sound Legato

What if stretching to keep your fingers connected is actually giving you less of the sound you want?

In this clip, Edna plays the beautiful Moderato cantabile section of Chopin's Fantaisie Impromptu while demonstrating how thoughtful fi*****ng and correct motion can produce a fuller, more singing tone with no strain.

The full segment is available on Inside Edna's Studio at ednagolandsky.com, including a fi*****ng handout to follow along with everything Edna covers.

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Are the Fingerings in Your Sheet Music Right for You?

You follow the notes. You follow the rhythm. But do you follow the fi*****ng even when it doesn't feel right?

Most of us were taught to trust what's printed on the page. But not all fi*****ngs are created equal, and some could be working against you without you even knowing it.

In Edna's latest segment on Inside Edna's Studio, she takes a close look at fi*****ngs through the lens of the Taubman Approach using Chopin's Fantaisie Impromptu as an example. It's a perspective that might change the way you approach every piece you learn.

👉 Watch the full video on Inside Edna's Studio at EdnaGolandsky.com